LAMONT LANDERS
When Lamont Landers steps up to the microphone, he doesn’t just perform—he owns the stage.
His voice carries the weight of lived experience, shaped by the quiet resilience of a small-town journeythat led him, on his own terms, into the spotlight. With a voice that soars effortlessly through deep wellsof soul, electrifying bursts of rock ‘n’ roll, and smooth, slow-burning R&B, the Alabama native captivatesnot just as a powerhouse vocalist but also as a searing guitarist and a thoughtful, eloquent songwriter.
After steadily growing an audience both online and onstage, Lamont is set to introduce himself on awhole new level with new music in 2025.
“I let the music speak for itself,” he says. “There are so many elements that reflect who I am. I’m fromthe South, so there’s a natural Southern vibe. I love soul music and guitar—it’s everything I am.”
Born and raised in Decatur, Alabama, where “everybody knows everybody,” music was the heartbeat ofLamont’s upbringing. Riding in the backseat of his dad’s Chevrolet S-10 Blazer, he soaked up Southernrock staples from the Allman Brothers Band, Lynyrd Skynyrd, and Stevie Ray Vaughan. At home, hismother spun records by Al Green, Sly & The Family Stone, Ray Charles, and Marvin Gaye, laying thefoundation for his love of classic soul. Amid his parents’ divorce, music became his refuge. “I had all ofthis anxiety and angst, so I picked up the guitar,” he recalls.
It wasn’t until his early twenties that Lamont discovered the true power of his voice—stepping upunexpectedly after his college band’s lead singer quit. That spontaneous moment unlocked a soulfulforce that would define his career.
His breakout moment came after graduation with a viral cover of Ray Charles’ “Hit The RoadJack”—amassing over half a million views in a single night. From there, he dove headfirst into music,earning acclaim on America’s Got Talent and Showtime at the Apollo, while gaining a dedicatedfollowing on TikTok with knockout covers.
When Questlove reposted Lamont’s rendition of “Rubber Band Man,” it caught the ear of GRAMMY®Award-winning producer Dave Cobb. Blown away by Lamont’s raw talent, Cobb extended a directinvitation to record at his Savannah, GA studio—an opportunity that led to Landers signing with Cobb’sRepublic Records imprint, Lucille.
In the studio, magic came naturally.
“We worked fast,” Lamont shares. “Dave has this gift for pulling out raw, authentic emotion—and that’sexactly what he did.”
The result? A collection of songs that reveal every facet of Lamont’s artistry.
“America” stands out with its head-nodding bassline, handclaps, church organ strains, and grittyhonesty. His soulful lament—“Can’t afford my rent… and the government is only selling lies”—simmerswith frustration and reflection. In between loose riffing and a flurry of swampy keys, he accepts, “This isAmerica in the modern world.”
“I didn’t want to get too political, but there’s tension everywhere—no matter where you stand. It feelslike we’ve hit a boiling point.”
On “Whole Lot Of Love To Give,” Motown swagger meets personal revelation as Lamont belts a catharticpromise: “I got a whole lot of love to give… come and get you some.” “I had just gone through adivorce,” he admits. “This song felt like letting go of the past and being open to what’s next.”
Then there’s the playful yet vulnerable “Oh Shit! (I’m In Love)”—a groovy burst of realization wrapped inraw guitar riffs and brassy horns. “It’s about being totally caught off guard by love—when you leastexpect it.”
The record closes on its most personal note: “I Have Always Loved You,” a heartfelt letter to hisdaughter. “It’s overwhelming, the depth of feeling you have for your child,” Lamont reflects. “Being adad is the greatest thing in the world, and this song is my way of saying that to her.”
In the end, Lamont Landers isn’t just chasing greatness—he’s embodying it.
“When you hear this record, I hope you think, ‘This isn’t just good—this is great.’ That’s what I wasaiming for—something real, raw, and unforgettable.”